Dubbed as the “forefather of indie-hop,” Sage Francis is widely considered one of our generation’s greatest lyricists. His career derives mainly from gifted wordplay which creates vivid narratives to instigate as well as inspire, but since it often derives from an accumulation of public disdain and personal turmoil. The “SICK TO D(EAT)H” mixtape was released in December of 2013 to hold people over for a monster of an album that has taken 4 years to complete. The “COPPER GONE” album drops on June 3rd, 2014 and Sage will be playing Voodoo Belfast on Saturday 11th October and The Sugar Club, 12th October 2014. Tickets on Sale from all usual outlets.
Francis originally earned acclaim in the early 2000’s by winning the most highly coveted titles of the emcee battle circuit. With little to no funding, Francis sustained himself by selling his innovative “Sick of” mixtapes, all made by hand on the floor of his Providence apartment. These were essentially bootleg compilations full of select recordings from his 12” vinyl singles, demo sessions, live performances and radio freestyles. The popularity of these tapes birthed Strange Famous Records (SFR); a meager, one-man operation in 1999.
Despite having no official distribution, Francis’ unique brand of music spread like wildfire via the advent of file sharing networks. This resulted in him attaining a massive cult-like following around the world, creating a demand for his albums and live performances at which point the bigger labels took notice. With his first studio album, Personal Journals (2002)
In 2005 Sage Francis was the first hip-hop artist signed to Epitaph Records and soon became one of the highest selling independent artists of his genre. Rather than abandon his day-to-day grind at Strange Famous Records, he channeled all of his newfound resources into it, allowing the label to expand in staff as well as roster. Having fulfilled his contract obligations with Epitaph Records, Sage Francis has returned to releasing music independently as he gears up to defeat the odds. Once again.